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Richard Thompson’s score for Grizzly Man – Werner Herzog’s 2005 documentary film of real life and death in the Alaskan wilderness – is one of the best-kept secrets in the British guitarist’s epic canon: an instrumental masterpiece disguised as a movie soundtrack. Recorded over two days as Thompson played live in the studio to Herzog’s footage – mostly alone, at times in chamber settings with cello, piano and percussion – these tenderly detailed melodies and quietly visceral improvisations are cinema in their own right, rendered with pictorial instinct and the dazzling technique forged in Thompson’s lifelong passage through traditional folk, psychedelia, North African modes and intensely personal songwriting. Here is Thompson at his natural best – finger-picking dance; snake-curl twang and singing-wire harmonics – in a solo clarity that runs from jig-like joy to deep-note meditation, the “Grizzly Man” blues march with its echoes of Fairport Convention’s “Sloth” to the long night of “Treadwell No More,” a harrowing darkness in slicing treble and tremolo shiver. Produced by guitarist Henry Kaiser, Grizzly Man is a record of powerful solitude – as bold and majestic as the land in Herzog’s film; as intimate as prayer – and essential Richard Thompson.

Richard Thompson’s score for Grizzly Man – Werner Herzog’s 2005 documentary film of real life and death in the Alaskan wilderness – is one of the best-kept secrets in the British guitarist’s epic canon: an instrumental masterpiece disguised as a movie soundtrack. Recorded over two days as Thompson played live in the studio to Herzog’s footage – mostly alone, at times in chamber settings with cello, piano and percussion – these tenderly detailed melodies and quietly visceral improvisations are cinema in their own right, rendered with pictorial instinct and the dazzling technique forged in Thompson’s lifelong passage through traditional folk, psychedelia, North African modes and intensely personal songwriting. Here is Thompson at his natural best – finger-picking dance; snake-curl twang and singing-wire harmonics – in a solo clarity that runs from jig-like joy to deep-note meditation, the “Grizzly Man” blues march with its echoes of Fairport Convention’s “Sloth” to the long night of “Treadwell No More,” a harrowing darkness in slicing treble and tremolo shiver. Produced by guitarist Henry Kaiser, Grizzly Man is a record of powerful solitude – as bold and majestic as the land in Herzog’s film; as intimate as prayer – and essential Richard Thompson.

843563148600

Details

Format: CD
Label: NO QUARTER
Rel. Date: 05/06/2022
UPC: 843563148600

Music From Grizzly Man
Artist: Richard Thompson
Format: CD
New: Available $14.98
Wish

Formats and Editions

DISC: 1

1. Tim ; the Bears
2. Grizzly Man
3. Foxes
4. Ghosts in the Maze
5. Glencoe
6. Parents
7. Bear Swim
8. Twilight Cowboy
9. The Kibosh
10. Treadwell No More
11. Teddy Bear
12. Small Racket
13. Streamwalk
14. That's My Story
15. Bear Fight
16. Big Racket
17. Corona for Mr. Chocolate
18. Grizzly Man (Revisited)

More Info:

Richard Thompson’s score for Grizzly Man – Werner Herzog’s 2005 documentary film of real life and death in the Alaskan wilderness – is one of the best-kept secrets in the British guitarist’s epic canon: an instrumental masterpiece disguised as a movie soundtrack. Recorded over two days as Thompson played live in the studio to Herzog’s footage – mostly alone, at times in chamber settings with cello, piano and percussion – these tenderly detailed melodies and quietly visceral improvisations are cinema in their own right, rendered with pictorial instinct and the dazzling technique forged in Thompson’s lifelong passage through traditional folk, psychedelia, North African modes and intensely personal songwriting. Here is Thompson at his natural best – finger-picking dance; snake-curl twang and singing-wire harmonics – in a solo clarity that runs from jig-like joy to deep-note meditation, the “Grizzly Man” blues march with its echoes of Fairport Convention’s “Sloth” to the long night of “Treadwell No More,” a harrowing darkness in slicing treble and tremolo shiver. Produced by guitarist Henry Kaiser, Grizzly Man is a record of powerful solitude – as bold and majestic as the land in Herzog’s film; as intimate as prayer – and essential Richard Thompson.


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